Following on from the pilot, Sarah,
John and Cameron are trying to get used to living in the near future.
While Sarah and Cameron attempt to get new identities for the group,
John goes to visit an old friend…
Ok, I let this go in the pilot but why
does Cameron have glowing blue eyes? I can only assume she has blue
eyes because she is not an evil Terminator, those have red eyes. This
colour coding for good/evil is pretty stupid, at least she doesn’t
have pink eyes I suppose.
I raise this point because we now have a pretty cool opening sequence, including a shot of her blue eyes. The opening mixes footage of our group with the construction of a Terminator. This is a pretty swish opening but I wish that the sound team hadn’t decided to mix in a proton pack sound effect for the construction of the Terminator, it’s way too well known a sound to not stand out.
I raise this point because we now have a pretty cool opening sequence, including a shot of her blue eyes. The opening mixes footage of our group with the construction of a Terminator. This is a pretty swish opening but I wish that the sound team hadn’t decided to mix in a proton pack sound effect for the construction of the Terminator, it’s way too well known a sound to not stand out.
So John’s moaning is really starting
to get on my nerves. If he were the last hope for humanity I would be
helping the Terminators. In this episode he keeps moaning to Sarah
about how he wants to leave the house, he wants Turkey or some other
nonsense. It’s really hard to understand why she has so much faith
in him to save humanity. He decides to sneak out and visits Dean
Winters, Sarah’s old Fiancé. I don’t know why he does this
really; it doesn’t seem a great plan to go and check on him.
Cameron informs John and Sarah that
some resistance fighters are also waiting around, gathering supplies.
They go to visit them and discover that they are all dead, dead aside
from the Terminator that is waiting for any stragglers that he
missed.
This triggers a Terminator on
Terminator fight sequence. The action set pieces are notably better
handled in this episode than in the pilot. The strength and weight of
the Terminators feels much more tangible. As they fight they also
have much more of an effect on their surroundings. Debris flies from
objects that are hit, glass shatters from force. A real effort has
been made to make these frantic moments feel more real and the effort
pays off handsomely.
The emotional through line of this
episode focuses on Sarah’s discovery that she has cancer. Her
realisation of this is well handled and it influences her character
from the moment she learns of it. A few subtle moments are worked in
to show that it is on her mind, such as casually asking Cameron if
her Terminator powers let her do blood tests. This use of subtlety is
really good.
Unfortunately the episode decides ruin
this subtle approach by having an incredibly poorly thought out
comparison between the real 9/11 and fictional Judgement Day. This
moment is triggered when Sarah asks what 9/11 is, having skipped that
moment in history. The explanation includes the confused
gang members she asked miming out the attacks, complete with
explosion hand gestures, to Sarah. I think that the fact that
‘Terminator: TSCC’ managed to make a puppet version of 9/11 the
funniest thing I’ve seen in ages would suggest that this dramatic
idea didn’t work out very well.
The episode actually had some intended
comedy also. Cameron’s attempts to mimic human behaviour bring some
much needed light relief to the generally quite dark script. The
moment where Sarah throws the unconscious Cameron out of a window was really funny also as it is very true to the character that has been
established.
So ‘Gnothi Seuton’ is a much
stronger episode than the Pilot. It has some flaws but generally
nearly all of my complaints from the Pilot have been resolved.
Hopefully John’s character will become less whiny as time goes on
and the show will avoid comparing fictional atrocities to real ones
again… We can only hope!
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